From medieval cantigas to newly composed works, Julie Bosworth revels in versatile performance practice. Recognized for having “the richest, most buttery tone” (Washington Classical Review), this “notably stylish and expressive” singer finds joy and fulfillment in collaborating with artists across a vast array of musical genres.
On the operatic stage, Julie has performed with the IN Series, American Opera Theater, Raylynmor Opera, Opera AACC, and Peabody Opera Theater, singing such roles as Phaino (Here be Sirens), Queen of the Night (The Magic Flute), Cleopatra (Giulio Cesare), Belinda (Dido and Aeneas), Blanche de la Force (Dialogues of the Carmelites), and the title role in L’incoronazione di Poppea. Equally at home on the concert stage, she has appeared as a soloist with American Bach Soloists, Tempesta di Mare, the Baltimore Symphony Orchestra, the Indianapolis Early Music Festival, Mountainside Baroque, the Tucson Desert Song Festival, Baltimore Choral Arts Society, and The Bach Choir of Bethlehem. Julie is a core member of the critically acclaimed chamber group The Broken Consort, an exuberant and experimental medieval and new music ensemble. Furthermore, she has sung extensively with The Thirteen, Grammy-nominated True Concord, The Peabody Consort, Hesperus, Third Practice, Les Canards Chantants, The New Consort, and Zenith Ensemble.
Julie holds a Bachelor’s degree in Music Education from Millikin University and a Master of Music degree in Voice Performance and Early Music from The Peabody Institute of the Johns Hopkins University. She is a chorister at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C., and resides in Baltimore with her husband, baritone Corbin Phillips, and their two dogs.