{"id":11464,"date":"2023-05-18T17:43:49","date_gmt":"2023-05-19T00:43:49","guid":{"rendered":"https:\/\/trueconcord.org\/?p=11464"},"modified":"2023-05-18T17:48:44","modified_gmt":"2023-05-19T00:48:44","slug":"meet-co-composers-in-residence","status":"publish","type":"post","link":"https:\/\/trueconcord.org\/2023\/05\/18\/meet-co-composers-in-residence\/","title":{"rendered":"Meet Co-Composers-in-Residence"},"content":{"rendered":"
[vc_row][vc_column][mk_fancy_title font_family=”none”]\n

Meet Co-Composers-in-Residence, <\/strong><\/h2>\n

Jocelyn Hagen & Timothy C. Takach<\/strong><\/h2>\n

by James Reel<\/strong><\/h2>\n[\/mk_fancy_title][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text css=”.vc_custom_1675882745661{margin-bottom: 0px !important;}”]\u201cEvery time we think about what this project might lead to,\u201d he says, \u201cwe get giddy and excited.\u201d<\/p>\n

By \u201cwe\u201d he\u2019s including his wife, fellow composer Jocelyn Hagen. And the project is their new joint engagement as True Concord\u2019s composers in residence.<\/p>\n

Both Minnesota-based composers are familiar to True Concord\u2019s audience. Just last September and October, True Concord performed Takach\u2019s 65-minute Helios<\/em>, with elaborate video projections designed by Deborah Johnson. In November 2019 the ensemble gave the Arizona premiere of Hagen\u2019s The Notebooks of Leonardo da Vinci<\/em>, which also involved video projections. And this January sees the belated premiere of Hagen\u2019s \u201cmultimedia symphony\u201d for choirs, soprano solo, chamber orchestra and illuminated portraits, Here I Am<\/em>. (The work was commissioned by True Concord immediately upon the local success of The Notebooks<\/em>, but the pandemic delayed its scheduled premieres in 2020 and 2021.)[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”11465″ img_size=”full”][vc_column_text css=”.vc_custom_1675887382595{margin-bottom: 0px !important;}”]\n

Co-Composers-in-Residence: Jocelyn Hagen & Timothy C. Takach<\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”11469″ img_size=”full”][vc_column_text css=”.vc_custom_1675884985463{margin-bottom: 0px !important;}”]\n

HELIOS, September 30-October 2<\/em><\/strong><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”11473″ img_size=”full”][vc_column_text css=”.vc_custom_1675884990391{margin-bottom: 0px !important;}”]\n

World Premiere of HERE I AM, January 27-29<\/em><\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_empty_space][vc_column_text css=”.vc_custom_1675884970633{margin-bottom: 0px !important;}”]\u201cEric Holtan and True Concord have often been such strong supporters of new music and commissions and second performances that it makes perfect sense they would develop a residency like this,\u201d says Takach. \u201cThe artists are ready to dive right into new music, and their audience is right there with them. In fact, the support is coming from the board and the conductor and the artists and the audience all at the same time.\u201d<\/p>\n

The joint residency, initially contracted for two years, will include performances of the couple\u2019s music, consultations on other works, help adjudicating True Concord\u2019s annual Stephen Paulus Emerging Composers Competition, and community engagement. Some of this will probably involve them giving workshops as their two-person \u201ca cappella band,\u201d Nation.<\/p>\n

\u201cResidencies are great for us,\u201d says Hagen, \u201cbecause it gives us a longer time to try new things with the ensemble and be more closely involved with the musicians.\u201d<\/p>\n

Adds Takach, \u201cIt\u2019s also a neat chance for us to connect on a longer timeline with an audience. Instead of the audience getting just one shot at connecting with a composer, we can develop a relationship that lasts a few years. And it gives us time to figure out True Concord from the inside out and give them things we think will be fantastic.\u201d<\/p>\n

Engaging two resident composers at the same time is unusual under any circumstances, and until recently Hagen and Takach might have resisted taking on this job together.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_empty_space][vc_single_image image=”11408″ img_size=”full”][vc_column_text css=”.vc_custom_1675887373595{margin-bottom: 0px !important;}”]\n

Hagen & Takach performing as Nation at the opening of the Here I Am<\/em> Art Exhibit at Hotel Congress<\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text css=”.vc_custom_1675884950660{margin-bottom: 0px !important;}”]\u201cYears ago, we didn\u2019t even tell people who knew us as composers that we were married,\u201d says Hagen. \u201cWe totally separated our careers from each other. And then in the past six years or so we just decided to not keep it a secret anymore. Now we even write music together.\u201d<\/p>\n

Collaborative composition, a tricky prospect both technically and interpersonally, is possible for these two because of their mutual clear-eyed enthusiasm for each other\u2019s results.<\/p>\n

\u201cWe both have a really deep respect for each other\u2019s work,\u201d says Takach, \u201cboth an appreciative respect and a constructive respect; we can weigh in on each other\u2019s work. We also have a good understanding of personal and creative space for each other; we know when the other person needs some time to let an idea steep, and then move forward.\u201d<\/p>\n

\u201cBut we do each have our own artistic voice and sounds,\u201d Hagen says. \u201cA few years ago we collaborated on a multimovement work called This Is How You Love<\/em>. Most of the movements we wrote together, but I wrote one by myself and he wrote one by himself, and I can hear the difference between our styles. There are certain cadences that sound very Tim to me, and the way he sets texts is very different from mine.\u201d<\/p>\n

Says Takach, \u201cWe\u2019ve figured out our artistic voices, and there are certain things that overlap, but the content of what we\u2019re creating is unique to each of us. I feel very spiritual, and one thing I love is texts that allow us to look inward and find out who we are as human beings and how we can care for the world. The flipside of that is there are texts I want to set just for entertainment value. My interest in science fiction and horror genres leads me to just have fun with putting some things on stage.\u201d<\/p>\n

Hagen says, \u201cI tend to be very drawn to women\u2019s stories, and powerful women, and poetry that has a feminine spirit but a very strong, empowering spirit.\u201d Takach may have facilitated that interest many years ago; one of the first Christmas presents he gave her was a collection of women\u2019s poems from antiquity to today. And Hagen\u2019s interests have rubbed off on her husband; you may remember that the Jupiter movement of Helios<\/em> sets a text written not from the Roman god\u2019s point of view, but from that of his wronged wife.<\/p>\n

\u201cCharles Anthony Silvestri, the librettist, had the idea to write it as a rage aria from Juno\u2019s perspective,\u201d Takach recalls. \u201cThe first draft had her backing away at the end and saying, \u2018That\u2019s just the way things are.\u2019 But I put on my Joceyln bracelet and told him that this needs to be more fierce in the end.\u201d<\/p>\n

Any competent performance should gratify a composer, but Takach and Hagen are especially pleased by their interactions so far with Eric Holtan and True Concord.<\/p>\n

\u201cIt\u2019s fun to listen to the group over the course of rehearsals during the week, and fun to see how fast they learn and how fast they inhabit the music in their bodies,\u201d says Takach. \u201cThey get it fast.\u201d[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

Rising stars Jocelyn Hagen & Timothy C. Takach talk about their joint appointment as True Concord’s first Co-Composers-in-Residence. By James Reel<\/p>\n","protected":false},"author":12,"featured_media":11269,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[5,31,30],"tags":[],"yoast_head":"\nMeet Co-Composers-in-Residence * True Concord Voices & Orchestra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/trueconcord.org\/2023\/05\/18\/meet-co-composers-in-residence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meet Co-Composers-in-Residence * True Concord Voices & Orchestra\" \/>\n<meta property=\"og:description\" content=\"Rising stars Jocelyn Hagen & Timothy C. 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